ARRI SIGNATURE ZOOM

ARRI SIGNATURE ZOOM

• The ARRI Signature Zoom lenses represent the pinnacle of modern optical design for high-end digital cinematography. Designed as part of the same family as the ARRI Signature Primes, these zoom lenses are not simply a functional extension, but a complete evolution of the cinematic zoom concept: they combine technical precision with a rich, smooth and deeply cinematic visual aesthetic. They are an undisputed reference in the ecosystem of lenses for large-format cameras ARRI, such as the ALEXA Mini LF or the ALEXA 35 with LPL adapter.

• One of the main virtues of the ARRI Signature Zoom is its absolute visual consistency with the Signature Primes. This means that you can intersperse zoom lenses and fixed lenses in the same production without the viewer perceiving a change in texture, colour, contrast or character in the image. Skin tone reproduction is smooth and natural, bokeh is creamy and organic, and backgrounds separate with clean, elegant three-dimensionality.

• Despite being zoom lenses, Signature Zoom lenses do not sacrifice optical quality. In fact, in many respects they rival high-end fixed lenses. Sharpness is excellent from maximum aperture, with no "clinical" image sensation, and remarkable resistance to flare without losing character.

• All maintain a constant aperture of T2.8, allowing full control of exposure and depth of field without variation throughout the zoom. In addition, image quality is consistent throughout the entire range of each lens, with no drop-off in sharpness or distortion at the extremes.

• With this set, the entire focal range a cinematographer might need is covered, from wide-angle to long telephoto, all with unified optical quality and visual aesthetics.

• These lenses were specifically conceived to cover Full Frame and VistaVision sensors, making them the natural choice for large format cameras such as the ARRI ALEXA Mini LF, ALEXA 35 (with LPL adapter), Sony Venice, or RED V-Raptor. The LPL mount ensures more efficient light transmission and less optical distortion, as well as a more compact and robust construction.

• Thanks to this generous coverage, Signature Zoom lenses allow creative use of depth of field, taking advantage of the three-dimensionality and separation of planes that only large sensors offer, without compromising sharpness or introducing vignetting.

• Beyond their optical performance, the ARRI Signature Zoom lenses are meticulously designed to meet the technical and operational demands of professional cinematography, where every detail counts, from the ergonomics of the equipment to its reliability in extreme environments.

• One of their greatest strengths is their smooth and precise mechanical design, which allows for highly sensitive focus and zoom control. This makes them especially effective when working with remote focusing systems, whether in crane camera shots, motorised tracking rigs, steadycam or drones. The control rings have a precisely calibrated resistance, ideal for focus operators looking for accurate response in high-pressure conditions.

• Robust construction is another cornerstone. The lenses are designed to withstand dust, water splashes and extreme temperature changes, making them suitable for shooting in challenging environments, from scorching deserts to snowy or wet locations. This provides operational reliability, minimises downtime and eliminates the need for constant recalibration.

• On the optical side, the Signature Zoom virtually eliminates "breathing", i.e. the variation in framing when changing focus. This is essential on high-end productions, as it ensures that rack focus movements are subtle and do not distract visually with unwanted changes in composition.

• They also excel in the absence of noticeable distortion, even at the extremes of the focal range. This means that straight lines remain intact, with no curvature or barrel or pincushion effects, resulting in a clean, natural image, especially important for architectural shots or wide-framed sequences.

• Signature Zoom lenses are ready for advanced digital workflows, thanks to their LDS-2 (Lens Data System 2) compatibility. This enables precise communication between the lens and camera, providing real-time metadata on focal length, aperture, focus distance and more, which is essential for VFX, augmented reality, advanced post-production and digital focus tracking.

• Finally, their size and weight are carefully balanced, taking into account the focal range and constant brightness of T2.8.. They are not particularly heavy lenses for their class, making them easy to integrate into dynamic camera and stabilisation setups, without compromising manoeuvrability or visual aesthetics.

• The ARRI Signature Zoom lenses are built not only to capture images of impeccable quality, but to do so reliably, practically and adaptably in any film production environment. They are a clear statement that zooms can be as cinematic as fixed lenses. With organic aesthetics, impeccable technical performance and absolute visual consistency with primes in the same series, these zooms redefine what a zoom lens can be in a modern film production. They are the ultimate choice for those seeking creative freedom, technical excellence and a visual aesthetic that lasts.

ARRI SIGNATURE ZOOM 16-32MM T2.8

• This lens covers the widest focal range in the line-up and is especially suited to shots that demand depth, drama or an immersive feel. Despite its ultra-wide-angle nature, the 16-32mm maintains a clean, controlled image with no noticeable distortion, making it ideal for architectural shots, scenes in tight spaces or sequences where the environment carries significant narrative weight. The T2.8 aperture remains constant, allowing you to work in low light without compromising the image.

• Mount: LPL
• Maximum aperture: T2.8 (constant throughout the range)
• Focal range: 16-32mm
• Front Diameter: 156mm
• Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294
• Sensor coverage: Full Frame / Large Format (including ARRI ALEXA LF and Mini LF)
• Weight: 3.2 kg

ARRI SIGNATURE ZOOM 24-75MM T2.8

• This is possibly the most versatile zoom in the set. Its range covers moderate wide angle to short telephoto, making it the perfect choice for documentaries, narrative films or multi-camera shoots. The 24-75mm is able to adapt to almost any situation without the need to change lenses, which translates into agility on set. It also maintains the Signature aesthetic: smooth bokeh, controlled flare and natural skin reproduction. Its performance is so high that it often perfectly replaces a set of primes in this range.

• Mount: LPL
• Maximum aperture: T2.8 (constant over the whole range)
• Focal range: 24-75mm
• Front diameter: 114mm
• Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294
• Sensor coverage: Full Frame / Large Format (including ARRI ALEXA LF and Mini LF)
• Weight: 3.7 kg

ARRI SIGNATURE ZOOM 45-135MM T2.8

• Ideal for medium shots, portraits and framing that demands elegant spatial compression. The 45-135mm offers excellent control over depth of field, allowing you to isolate subjects from the background with smooth, three-dimensional bokeh. Despite its longer focal length, it remains a relatively compact and handy lens. It is perfect for capturing the intimacy of a performance without compromising on shot dynamism or optical quality.

• Mount: LPL
• Maximum aperture: T2.8 (constant throughout the range)
• Focal range: 45-135mm
• Front diameter: 114mm
• Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294
• Sensor coverage: Full Frame / Large Format (including ARRI ALEXA LF and Mini LF)
• Weight: 3.6 kg

ARRI SIGNATURE ZOOM 65-300MM T2.8

• This lens completes the line-up with an impressive range, covering medium tele to long tele without any loss of brightness or optical precision. Ideal for action shots, nature, epic landscapes or even close-ups shot from a distance, the 65-300mm allows you to work with extreme detail and dramatic shot compression, without sacrificing aesthetics or image integrity. Its construction maintains Signature standards for colour, contrast and freedom from breathing, which is especially important at long focal lengths.

• Mount: LPL
• Maximum aperture: T2.8 (constant throughout the range)
• Focal range: 65-300mm
• Front Diameter: 156mm
• Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294º Focus ring rotation: 294
• Sensor coverage: Full Frame / Large Format (including ARRI ALEXA LF and Mini LF)
• Weight: 8.1 kg