Arri Zeiss Ultra Prime Rental

Name: Arri Zeiss Ultra Prime Rental
Brand: ARRI
SKU: 161
Price: 450.00 EUR
Availability: InStock

€450.00

ARRI Ultra Prime Rental · T1.9 · Super 35 · Industry Standard Cine Lenses

The ARRI / Zeiss Ultra Prime lenses offer a reliable balance of sharpness, contrast and portability for professional cinematic productions. Co‑developed by ARRI and Zeiss in Germany, these spherical prime lenses have become a global industry standard for Super 35 projects that demand natural colour reproduction, minimal distortion and consistent performance across the full focal range.

Focal Length Range	8 mm to 180 mm (15 prime lenses)	Maximum Aperture	T1.9 (T2.6 on 180 mm)
Sensor Coverage	Super 35 (ANSI)	Lens Mount	PL mount (Positive Lock)
Front Diameter	95 mm (uniform across most focal lengths)	Average Weight	1.0 kg – 1.2 kg per lens
Optical Look	Clean, sharp image with high contrast and controlled flares	Manufacturer	ARRI / Zeiss – engineered and manufactured in Germany

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Description
Product Details

ARRI ULTRA PRIME · Spherical Primes · PL Mount · Super 35 / Full Frame · T1.9 · Industry Standard

ARRI Ultra Prime Lens Rental: Professional Spherical Primes for Cinema

At Camaleon Rental, we offer ARRI Ultra Prime lens rental, one of the most reliable families of spherical prime lenses in professional cinema. Chosen by cinematographers for advertising, fiction and series, the Ultra Prime stands out for its optical consistency across focal lengths, natural sharpness and predictable on-set behaviour. If you're looking for PL cinema-quality primes with professional focus and aperture mechanics, Ultra Prime is a standard reference for high-level productions.

The Ultra Prime set offers complete coverage from wide-angle to telephoto, with fast apertures (typically T1.9 on standard focal lengths) and a clean spherical look that works in any context: product advertising, portraits, fiction and VFX. Explore our full catalogue of professional cinema optics to complete your package with compatible accessories and cameras.

Transparency Note (E‑E‑A‑T 2026): exact specifications (available focal lengths, T‑stops and sensor coverage) may vary depending on set configuration and availability. We confirm with you camera, format and shoot type to propose the most suitable package.

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ARRI Ultra Prime: Reliable, Consistent and Fast Spherical Primes for Professional Shooting

The ARRI Ultra Prime lenses are spherical optics designed to work with real production pace: precise focus, solid mechanics and optical performance designed to deliver clean, stable and coherent results across focal lengths. That's why they remain a standard choice when you need natural imagery, no surprises and easy integration into post-production, VFX or colour grading. Manufactured by ARRI (Germany), one of the most respected brands in professional cinematography, the Ultra Prime offers the reliability and precision demanded by high-level productions.

Type: spherical primes with complete coverage (wide-angle to telephoto).
Mount: PL (cinema industry standard).
Speed: fast apertures (typically T1.9 on standard focal lengths).
Look: balanced contrast, natural sharpness and consistent colour reproduction.
Operation: designed for ACs: smooth rings, readable marks and agile changes.
Production: suitable for advertising, fiction, series and multi-camera shoots.
Compatibility: work with any PL camera (ARRI Alexa, RED, Sony Venice, etc.).

Need a quote and availability for ARRI Ultra Prime?

Send us dates, city, camera and format (S35 / FF) and we'll propose the set and accessories: matte box, follow focus / motors and filters.

Request Quote · ARRI Ultra Prime Rental | +34 913 40 78 97

Key Technical Specifications: ARRI Ultra Prime

This section summarises what most influences shooting decisions: compatibility, consistency, operation and visual result. To maintain accuracy and confidence, we avoid publishing a closed list of focal lengths/coverage here if it may not match the available set on your date. Ask us for availability and we'll confirm exact focal lengths, T‑stops and coverage for your camera and project.

Production-oriented technical summary (values may vary depending on focal length and available set).
Parameter	ARRI Ultra Prime	Impact on Shooting
Lens Type	Spherical Prime	Clean, natural image; easy to combine with LUTs and colour grading.
Manufacturer	ARRI (Germany)	Precision engineering, proven reliability in high-level productions.
Mount	PL (Positive Lock)	Direct compatibility with professional digital cinema (ARRI Alexa, RED, Sony Venice, etc.).
Coverage	Depending on set (S35 / FF*)	We help you avoid vignetting/cropping by confirming sensor and camera mode.
Aperture (T‑Stop)	Fast (T1.9 typical*)	More margin indoors and depth-of-field control.
Consistency Across Focal Lengths	High	Facilitates look continuity and reduces post-adjustments.
Contrast / Sharpness	Balanced, "clean"	Ideal for advertising, series and projects with VFX or controlled beauty.
Focus Breathing	Controlled (depending on focal length)	More "natural" rack focus; better continuity in focus movements.
Camera Operation	Cinema mechanics for AC	Fast for lens changes, clear marks and use with follow focus.
Colour Reproduction	Consistent	Natural skin tones and predictable colour across focal lengths.

Important: to maintain accuracy, we confirm the exact set with you based on availability and format. Ask us for availability and we'll confirm exact focal lengths, T‑stops and coverage for your camera.

ARRI Ultra Prime Focal Range: Complete Coverage from Wide-Angle to Telephoto

The Ultra Prime set offers focal lengths that cover any scene: from wide establishing shots to tight portraits and details. Each focal length maintains the optical consistency that characterises this family.

Wide-Angle
Establishing Shots

Standard
Typical Scenes

Telephoto
Portraits / Details

Available focal lengths depending on set (typically 16mm, 24mm, 35mm, 50mm, 75mm, 100mm, 135mm and more). We confirm the exact range with you for your shoot.

Complete ARRI Ultra Prime Set (Typical Focal Lengths)

Below is an example of the most commonly rented focal lengths in an Ultra Prime set. Exact availability depends on your date and city. Contact us to confirm the specific set for your shoot.

Indicative table of ARRI Ultra Prime focal lengths (availability subject to confirmation).
Focal Length	T-Stop	Typical Use	Angle of View (approx.)	MOD (approx.)
16mm	T2.8	Wide-angle, establishing shots	~107°	~0.25m
24mm	T1.9	Wide shots, interiors	~84°	~0.3m
35mm	T1.9	Standard, typical scenes	~54°	~0.35m
50mm	T1.9	Natural focal length, portraits	~39°	~0.45m
75mm	T1.9	Portraits, close-ups	~26°	~0.65m
100mm	T1.9	Tight portraits, details	~19°	~0.9m
135mm	T2.0	Telephoto, compression	~14°	~1.2m

Note: these data are indicative. For exact specifications (T‑stops, MOD, sensor coverage), confirm with us the available set on your date and city.

Why Choose ARRI Ultra Prime?

In production terms, renting Ultra Prime is usually a decision of efficiency and confidence: it minimises risk, accelerates shooting and maintains consistent results across days. These are lenses designed to "do the job" with quality. If you compare with other cinema optics rental options, the Ultra Prime stands out for its reliability and versatility.

Clean spherical look: ideal for skin, product and scenes with lots of information in frame.
Consistency across focal lengths: reduces "matching" in colour grading and facilitates visual continuity.
Reliable mechanics: smooth focus, clear marks, fast operation for camera crews.
Versatility: from wide shots to portraits with a coherent and predictable set.
Post-production friendly: predictable optical behaviour for VFX, stabilisation and finishing.
Fast apertures: typical T1.9 allows working indoors and controlling depth of field.
Universal compatibility: PL mount works with any professional cinema camera.

What Type of Shoot Do Ultra Prime Lenses Work Best For?

If you need consistency (across days and units), fast operation and a clean, predictable spherical look, Ultra Prime typically fits especially well in advertising, fiction and series with tight schedules.

Advertising
detail, consistency, beauty

Series
pace, continuity, multi‑camera

Cinema / Fiction
clean look, post integration

Also excellent for VFX-intensive work (predictable optical behaviour) and demanding colour grading (consistent colour).

Indicative Comparison: Ultra Prime vs. Other Spherical Lenses

The choice of primes almost always depends on the look you're after and the type of production. This comparison is designed to help you decide quickly. If you'd like, we can advise you with your camera, sensor and visual references. You can also explore our catalogue of anamorphic lenses if you're looking for a more "character" look.

Practical comparison (does not replace a camera/lens test).
Criterion	ARRI Ultra Prime	Vintage / Character Primes	Ultra Clinical Primes
Look	Clean and consistent	Character, visible flares/aberrations	Maximum sharpness and contrast, "perfect"
Continuity	High	Variable	Very high
Typical Use	Advertising, series, fast fiction	Auteur look, period, music video	VFX-intensive, extreme product
On-Set Risk	Low	Medium (depending on unit)	Low (but may be "too perfect")
Rental Price	Competitive	Variable	Premium

Tip: if you're looking for a more "character" or anamorphic look, explore our anamorphic lens options or vintage lenses. If you need maximum precision for VFX, ask about ultra clinical primes.

ARRI Ultra Prime Lens Rental in Madrid, Barcelona, Seville, Málaga, Valencia and Bilbao

We manage ARRI Ultra Prime lens rental with logistics and support for shoots across Spain. If your production needs PL-mount primes and a reliable set to work fast, we help you configure a complete package with camera, accessories and technical support. Our camera rental team is available in Spain's major cities.

Rental Coverage

Cities with rental service and related links.
City / Region	Service	Link
Madrid	Ultra Prime rental for advertising, fiction and series.	Camera Rental Madrid
Barcelona	Ultra Prime rental with logistics for Catalonia.	Camera Rental Barcelona
Seville	PL prime rental for shoots in Andalusia.	Camera Rental Seville
Málaga	Ultra Prime rental for Costa del Sol.	Camera Rental Málaga
Bilbao	PL prime rental with support for the north.	Camera Rental Bilbao

Frequently Asked Questions: ARRI Ultra Prime (Rental)

What kind of image do ARRI Ultra Prime lenses produce?

They're typically chosen for a clean spherical image, with balanced contrast and consistency across focal lengths. It's a "safe" aesthetic for productions where continuity matters and a result that's easy to control in post-production. Compared to anamorphic lenses, Ultra Prime offers a more "natural" look without pronounced anamorphic character.

Are they suitable for advertising and beauty?

Yes, they're often used in advertising for their natural sharpness and predictable behaviour. If your project requires specific softening, we recommend filters (e.g., diffusion) or an alternative lens with more "character". Our team can advise you on the best option based on your creative brief.

What mount do they have?

Typically PL mount (Positive Lock), the cinema industry standard. If your camera isn't PL, contact us and we'll assess adapters and compatibility based on your camera model and shoot type.

Do they cover Super 35 or Full Frame?

It depends on the set and configuration. To avoid coverage errors (vignetting/cropping), we ask for camera, sensor and recording mode and confirm the exact recommended set. We work with cameras like ARRI Alexa, RED, Sony Venice and others with PL mount.

What do I need to request a quote for Ultra Prime?

Dates, city, camera, format (S35/FF), project type (advertising/fiction/series), and whether you need accessories. With that information, we propose an efficient focal length set.

How do they compare to other ARRI primes?

ARRI manufactures several prime families. The Ultra Prime is versatile and reliable; Master Prime offers higher aperture (T1.3) and Full Frame coverage. We advise based on your budget and technical needs.

Are they compatible with Steadicam and gimbals?

Yes, Ultra Prime lenses are relatively lightweight for professional cinema primes, making them viable for Steadicam, gimbals and handheld camera work. We confirm weight and balance depending on focal length for your specific setup.

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Summary: ARRI Ultra Prime Lens Rental

The ARRI Ultra Prime lenses are a safe bet when you need professional spherical primes with consistency, fast operation and a clean look that works in advertising, cinema and series. At Camaleon Rental, we manage Ultra Prime set rental with advice tailored to your camera (PL mount), sensor and project style, and propose a complete package with accessories for shooting. Manufactured by ARRI (Germany), these lenses offer the reliability and precision demanded by high-level professional productions. Contact us for ARRI and Zeiss lens rental or explore our full cinema lens rental catalogue.