ARRI ZEISS ULTRA PRIME HIRE
ARRI ZEISS ULTRA PRIME RENTAL
ARRI ZEISS Ultra Prime T1.9 rental/hire lenses. These ARRI rental/hire lenses were manufactured in 1999. These lenses took over Zeiss Super Speed T1.3 MKI, MKII and MKIII's place, which had been used for 20 years in many film productions.
The ARRI German House designed these lenses with updates to improve some of the defaults previous lenses had: sharpness, contrast and spheric or chromatic aberrations high apertures had. The new ARRI Z. Ultra Prime T1.9 rental/hire lenses have perfect color and performance. They provide high sharpness and are very similar in image and features to the Master Prime lens set, but with a T1.3 aperture.
The ARRI Z. Ultra Prime rental/hire lenses preserve image quality, even in close focus situations, in all the Super35 range. They are light, standard speed lenses that perfectly combine with high-speed Master Prime lenses.
The ARRI Zeiss Ultra Prime lenses have the widest focal range of all prime lenses, which gives flexibility to obtain any desired coverage: from the exclusive "8R" extreme wide angle prime, to the best 180mm telephoto (specially designed for movement images).
The ARRI ZEISS Ultra Prime rental/hire lenses provide high quality images, vivid colors and ARRI's unique skin tones. Each lens in this series is T*XP housed to reduce flares and reflections. These lenses have a maximum T1.9 easy to reach iris aperture to achieve low depth of field images. When the focus ring is moved, the lens hardly breathes, preserving the viewer's film look experience.
ARRI Z. Ultra Prime lenses have feet-measured gear rings, and offer iris/focus value marks on both sides of the lens to make the focus puller's job easier. Their focus and iris gear interface are industry standard measured 'Mod 0.8', compatible with manual and wireless FF. Sixteen lenses in the Ultra Prime set share iris and focus gear ring position, this allows fast lens changes without changing FF accessories.
Also, most of the lenses share front diameter measures (95mm), except the wider and narrowest primes; which saves time thanks to not having to change the mate box's adaptor each time you change the lens that's mounted on camera.
These are top-of-the-chart lenses widely used in fiction and publicity.
