Arri Zeiss Master Prime Rental

Arri Master Prime: The Definitive Lens for Demanding Productions

The Arri Master Prime lenses have redefined the possibilities of modern cinema. Their advanced optical design enables shooting at T1.3, making them the ideal tool for extremely low-light conditions or achieving minimal depth of field without compromising image quality. Whether you're planning a film or TV production, these lenses deliver uncompromising optical performance.

• Manufacturer: ARRI / ZEISS (Germany).
• Constant Aperture: T1.3 across entire range (except 150mm).
• Focal Range: 12mm to 150mm (16 lenses available).
• Technology: T* XP coating to reduce flares and veiling glare.
• Breathing: Virtually eliminated via Dual Floating Elements™.
• Mount: PL with integrated LDS (Lens Data System).
• Coverage: Super 35 (optimized for modern digital cinema sensors).
• Mechanics: Precision gears and uniform front diameters (114mm).

Technical Specifications: Arri Zeiss Master Prime

Source: Official ARRI/Zeiss technical data. Reference format: Super 35 (DIN 24.0 x 18.0mm) for maximum compatibility with digital cinema cameras.

Master Prime Focal Range: 12mm – 150mm

16 fixed focal lengths providing complete coverage from ultra-wide to telephoto with uncompromising optical quality.

Complete Arri Zeiss Master Prime Set (16 Focal Lengths)

Detailed specifications of all focal lengths in the Arri Zeiss Master Prime set. Reference format: Super 35 DIN (24.0 x 18.0mm) for maximum compatibility with professional digital cinema cameras.

Source: ARRI Technical Data. Standard typical set: 14mm, 18mm, 25mm, 35mm, 50mm, 75mm, 100mm, 135mm. All focal lengths available on request.

Why Choose Arri Zeiss Master Prime?

The Arri Zeiss Master Prime lenses are the definitive choice for productions demanding optical perfection, extreme speed, and versatility. Their unique combination of features makes them indispensable for high-budget cinema, luxury advertising, and productions requiring maximum visual quality. Whether you're shooting in Madrid, Barcelona, or any major European city, these lenses deliver uncompromising results.

• T1.3 aperture across all focal lengths: One extra stop of light for low-light shooting with extreme depth of field control, reducing lighting budget.
• 4K/8K resolution: Optical performance exceeding modern digital cinema standards, compatible with high-resolution cameras.
• Zero Breathing (Dual Floating Elements™): Focus changes without image size variation, ideal for precise focus tracking and VFX.
• Superior contrast (T* XP coating): Deep blacks, visually impactful image, exceptional shadow detail.
• Perfect circular bokeh: 9-blade iris produces natural and pleasing out-of-focus rendering across all apertures.
• Minimal aberrations: Nearly zero geometric distortion, minimal chromatic aberrations, better chroma key.
• Complete color matching: Super Color Matched set for color consistency across all focal lengths without post-correction.
• Lens Data System (LDS): Wireless focus control, real-time depth of field information.
• 16 focal lengths available: Complete coverage from 12mm ultra-wide to 150mm telephoto.
• Optimized ergonomics: Extended focus scales, fluorescent markings for low light, reversible meter/feet rings.

Innovative Technology: Dual Floating Elements™ and T* XP Coating

The Arri Zeiss Master Prime lenses incorporate revolutionary technological advances that eliminate traditional optical limitations. The patented Dual Floating Elements™ technology uses dual floating elements to achieve what was previously considered impossible: excellent close-focus performance combined with virtually complete elimination of breathing (focus shift).

Dual Floating Elements™: Breathing Elimination

In the past, lens designers faced a choice: improve close-focus performance (using floating elements) or control breathing. Master Prime resolves this dilemma through patented Dual Floating Elements™ technology, enabling:

• Focus changes without image size variation: Image size remains constant when refocusing, ideal for precise focus tracking and visual effects.
• Exceptional close focus: Maintains excellent close-focus capability of Ultra Primes.
• Creative freedom: Enables camera angles and focus movements previously impossible.

T* XP Coating: Superior Contrast

The enhanced T* XP coating significantly reduces internal reflections and veiling glare, resulting in:

• Higher contrast: Deeper, richer blacks and greater visual impact.
• Better light transmission: More light reaches the sensor, enabling wider apertures.
• Uniform performance: Consistent contrast from optical center to frame edges.
• Shadow detail: Even in the darkest night scenes, Master Prime captures details other lenses cannot.

Productions Shot with Arri Zeiss Master Prime

The Arri Zeiss Master Prime lenses have been the choice of award-winning cinematographers and world-class film studios for creating maximum-quality visual aesthetics:

Arri Master Prime Rental Across Spain & Europe

We offer Arri Master Prime rental services across major Spanish cities and European locations. Our technical team inspects each lens on a projector before each rental to ensure impeccable optical performance. Whether you're producing in Seville, Málaga, or Bilbao, we ensure rapid delivery and professional support.

For Canon lens rental or other spherical lens options, explore our complete lens rental catalog.

Frequently Asked Questions (FAQ)

Why are Master Prime better than Ultra Prime?

While Ultra Prime lenses are excellent, Master Prime offers a wider aperture (T1.3 vs T1.9) and an optical design that virtually eliminates focus breathing—critical for shots with dramatic focus changes or precise VFX work.

Do Master Prime lenses cover Full Frame?

Master Prime lenses are designed for Super 35. For Full Frame sensors, we recommend exploring our full-frame lens options such as Arri Signature Prime.

What is the Lens Data System (LDS)?

LDS is an integrated electronic system that transmits lens metadata (focal length, aperture, focus distance) to the camera and external devices. This enables wireless focus control, real-time depth of field information, and seamless integration with VFX pipelines.

Can I rent individual focal lengths?

Yes. While we typically offer the standard set (14mm, 18mm, 25mm, 35mm, 50mm, 75mm, 100mm, 135mm), all 16 focal lengths are available individually. Contact us for custom configurations.

What is the difference between T1.3 and T1.9?

T-stops measure light transmission. T1.3 transmits more light than T1.9, providing approximately one additional stop of light. This is crucial for low-light cinematography and achieving shallower depth of field.