ARRI Signature Prime lenses set the current benchmark for Large Format cinema optics. Engineered by ARRI for sensors up to Ø 46mm coverage, they deliver a clean yet organic image: natural skin tones, balanced contrast, and an exceptionally smooth focus roll‑off that DPs rely on for premium narrative, commercials, and high-end streaming productions.
| Focal range | 12mm – 280mm (LF primes) | Maximum aperture | T1.8 (T2.8 on longer teles) |
| Sensor coverage | Large Format (Ø 46mm) | Minimum focus (MOD) | 0.30 – 0.75m (depending on focal length) |
| Mount | Native LPL / PL (via adapter) | Weight | 1.8 – 4.1 kg |
| Optical design | Telecentric design, near‑zero breathing | Bokeh | Rounded, natural, progressive |
| Look | Organic rendering, HDR‑ready | Metadata | LDS‑2 (VFX & Post workflows) |
At Camaleon Rental, we offer the ARRI Signature Prime lens rental, the absolute reference series for large format cinematography (Full Frame). Engineered with the innovative LPL mount and constant T1.8 aperture, these premium optics represent the perfect balance between cutting-edge optical precision and warm organic character that delivers emotionally engaging imagery. Used in Oscar-winning productions like Roger Deakins' "1917", the Signature Prime lenses are the choice of the world's most demanding cinematographers. Our film & TV equipment rental service covers major production hubs in Spain and Portugal.
The ARRI Signature Prime set features 16 fixed focal lengths (12mm to 280mm), revolutionary magnesium-machined construction (up to 40% lighter), advanced LDS-2 metadata system, and the innovative rear magnetic filter holder. Their creamy bokeh, smooth focus transitions, and flattering skin tone rendering make them the premium choice for cinema, high-end television, and commercial work. Explore our complete catalog of cinema lens rentals — including spherical, anamorphic and zoom options — and pair them with our large format camera rental services.
The ARRI Signature Prime lenses represent a new era in large format cinematography. Manufactured by ARRI (Germany), they are not the result of pursuing mathematical perfection, but rather cinematic excellence. Rather than chasing clinically sterile imagery, these optics balance the clarity demanded by 4K/6K/8K technology with the organic character required by the art of storytelling. Their warm and flattering skin tone rendering, creamy and pictorial bokeh, and revolutionary magnesium-machined construction position them as the premium choice for high-end productions. When you need spherical ARRI lenses hire for demanding feature films or series, Signature Prime is a safe, future-proof choice.
Need a quote and availability for the ARRI Signature Prime set?
Tell us your dates, city and LPL camera (ALEXA LF/Mini LF, Sony Venice, RED, etc.). We can create a complete package with lenses, camera accessories, stabilizers and grip according to your project.
Request Quote · ARRI Signature Prime Rental | +34 913 40 78 97
| Parameter | ARRI Signature Prime | On Set Value |
|---|---|---|
| Manufacturer | ARRI (Germany) | Centennial legacy, absolute reliability in professional cinema. |
| Format & Coverage | Large Format (Full Frame +) | Image circle up to 46.31mm. Compatible ALEXA LF, Sony Venice, RED Monstro/Raptor. |
| Mount | LPL (Large Positive Lock) | Ø64mm, 44mm flange depth. Open standard for large format. |
| Focal Range | 12mm – 280mm (16 focal lengths) | Ultra-wide to super telephoto. Complete creative arsenal. |
| Maximum Aperture | T1.8 (constant 12–150mm) | Minimal depth of field, low-light work, extreme bokeh control. |
| Construction | Magnesium-machined barrel | First cinema lens series with magnesium. 40% lighter, superior thermal stability. |
| Weight | 1.9 – 4.5 kg (depending on focal length) | 21mm: only 1.9kg. Ideal for gimbal, Steadicam, handheld rigs. |
| Metadata System | LDS-2 (6 LPL contacts) | Absolute encoders. Focus/iris/focal/distortion metadata in real-time. Essential for VFX. |
| Optical Design | Advanced telecentric | Rays almost perpendicular to the sensor. Minimal vignetting, controlled chromatic aberration. |
| Bokeh | Creamy & pictorial (11 blades) | Smooth transitions, defocused highlights without hard edges. Signature look. |
| Skin Tones | Warm & flattering | Avoids harsh, video-like rendering. Preferred for drama, portraits and close-ups. |
| Flare | Controlled, organic, warm | Soft glow, no hard artifacts. An expressive tool rather than a defect. |
| Resolution | Optimized 4K/6K/8K | Organic sharpness, not “clinical”. Moderate micro-contrast for film-like images. |
| Focus Breathing | Virtually imperceptible | Focus pulls without noticeable framing change. Excellent for long takes. |
| Filter Holder | Rear magnetic (40.5mm) | Tool-free insertion. Rear filters, diffusion nets, diopters, creative effects. |
12mm
Ultra Wide Angle
114.2° horizontal · MOD 0.35m
35mm / 40mm
Standard Narrative
Natural perspective · “1917” look
75mm / 95mm
Classic Portrait
Creamy bokeh · Compression
280mm
Super Telephoto
Extreme compression · T2.6
| Focal | T-Stop | MOD | Angle H | Image Circle | Front Ø | Length | Weight |
|---|---|---|---|---|---|---|---|
| 12mm | T1.8 | 0.35m | 114.2° | 46.31mm | 134mm | 141mm | 2.8kg |
The ARRI Signature Prime represents the pinnacle of professional lens rental for large format cinematography. Here is why leading cinematographers worldwide trust these optics:
One of the most ingenious and distinctive innovations of the ARRI Signature Prime series is its rear magnetic filter holder system. Each lens includes a mount that magnetically couples to the rear of the optic, allowing quick, tool-free insertion of 40.5mm rear glass filters or diffusion nets. This system offers several crucial advantages over traditional front-mounted matte box filters:
Important safety note: The rear magnetic filter holder must always remain installed on the lens, even if no filter is in use. Removing it exposes the rear optical element to dust and damage, and may affect the internal sealing of the lens.
The ARRI Signature Prime series has been quickly adopted by the world’s most respected cinematographers, consolidating itself as the reference choice for top-tier film and television productions. Their presence in Oscar-winning films, large-scale streaming series and premium commercials is the best proof of their quality. If you need professional camera rental and lenses for demanding international shoots in Spain or Portugal, Camaleon Rental can support your project end-to-end.
| Production | Year | Cinematographer | Notes |
|---|---|---|---|
| 1917 | 2019 | Roger Deakins, CBE, ASC, BSC | Oscar for Best Cinematography. Extensive use of 35mm, 40mm and 47mm. Immersive “single take” aesthetic on ALEXA Mini LF. |
| The Batman | 2022 | Greig Fraser, ASC, ACS | Dark noir aesthetics, heavy use of low-key lighting, creamy bokeh for subject separation in low light. |
| Dune | 2021 | Greig Fraser, ASC, ACS | Epic sci‑fi. Full 12–280mm range: from vast desert landscapes to intimate close-ups with shallow depth of field. |
| The Rings of Power | 2022 | Multiple DPs | High-budget streaming series. Color consistency across 16 focal lengths, large‑scale world‑building and VFX-heavy work. |
| Succession | 2018–2023 | Patrick Capone, Andrij Parekh and others | Premium drama for HBO. Natural skin tones, elevated documentary-style camera work, handheld compositions. |
| The Crown (recent seasons) | 2022–2023 | Multiple DPs | Historical drama with emphasis on flattering portraiture and controlled, elegant lighting. |
| John Wick: Chapter 4 | 2023 | Dan Laustsen, ASC, DFF | Highly stylized action sequences, neon‑lit environments, strong color separation and contrast. |
| La Sociedad de la Nieve | 2023 | Pedro Luque, SCU | Mountain and snow environments, lightweight lenses critical for remote locations and harsh conditions. |
In our lens rental catalogue you will also find Zeiss Supreme Prime, Cooke S7/i, Leica/Leitz and other large format lens sets. Signature Prime stands out for its magnesium construction, LDS‑2 integration and unique magnetic rear filter system. While lenses like Zeiss Supreme offer a slightly crisper, higher‑contrast look, ARRI Signature tends toward a more organic, filmic rendering with extremely flattering skin tones.
Depending on whether your project is drama, commercial, documentary or high‑end branded content, our team can help you choose between different spherical lens sets to match your visual goals, budget and shooting conditions.
Through Camaleon Rental you can rent ARRI Signature Prime lenses with full production support anywhere in Spain, Portugal and Morocco. Our camera rental department designs custom packages including cameras, lenses, accessories, lighting and grip, with logistics and crew if needed.
| City / Region | Service Description | Camera Rental Link |
|---|---|---|
| Madrid | ARRI Signature Prime rental for feature films, commercials and series. Ideal pairing with ALEXA LF / Mini LF and full film & TV equipment hire. | Camera rental Madrid |
| Barcelona | ARRI Signature Prime lens rental with logistics for Catalonia and the Mediterranean coast. Ideal for international productions needing camera rental in Barcelona with large format support. | Camera rental Barcelona |
| Seville / Andalusia | ARRI large format lens rental for shoots in Seville and across Andalusia, including historical locations and deserts. | Camera rental Seville |
| Málaga / Costa del Sol | ARRI Signature Prime rental for productions in Málaga, Costa del Sol and southern Spain, with access to beaches and urban locations. | Camera rental Málaga |
| Bilbao / Basque Country | ARRI Signature Prime sets available for shoots in the north of Spain, industrial locations and Atlantic landscapes. | Camera rental Bilbao |
| Valencia / East Coast | ARRI LPL lenses and large format camera rental for productions in Valencia and the Mediterranean east coast. | Camera rental Valencia |
ARRI Signature Prime lenses are unique because they combine modern optical precision with a warm, organic character. Instead of a clinically perfect, contrasty image, they offer 4K/6K/8K‑ready sharpness with gentle micro‑contrast, creamy bokeh, flattering skin tones and controlled flare. Their magnesium‑machined barrels make them significantly lighter than most competitors, and the rear magnetic filter holder is an ARRI‑exclusive feature that opens creative options while protecting the rear element.
The full Signature Prime set includes 16 focal lengths: 12mm, 15mm, 18mm, 21mm, 25mm, 29mm, 35mm, 40mm, 47mm, 58mm, 75mm, 95mm, 125mm, 150mm, 200mm and 280mm. This range covers everything from ultra‑wide establishing shots to tight telephoto portraits. In practice, many productions build a core set of 5–8 lenses and add specific focal lengths for specialty work.
The LPL (Large Positive Lock) mount is ARRI’s open standard for large format cameras. With a 64mm diameter and a short 44mm flange distance, it allows more telecentric optical designs, faster apertures (such as T1.8), lower distortion and vignetting, and lighter lenses. LPL also integrates 6 electrical contacts for the LDS‑2 metadata system, providing real‑time lens data to the camera. It has been adopted by multiple manufacturers and is now a de facto standard in large format.
Not directly. Signature Prime lenses require a native LPL mount on the camera. ARRI’s PL‑to‑LPL adapter is designed to use older PL lenses on new LPL cameras – not the other way around. Some cameras can be converted from PL to LPL at authorized service centers. If you are unsure, contact our camera rental team and we will confirm compatibility for your specific camera body.
Creamy bokeh refers to the aesthetic quality of out‑of‑focus areas. Signature Primes create smooth, painterly backgrounds with gradual transitions from sharp to soft, thanks to their 11‑blade rounded iris and carefully tuned spherical aberration. Defocused highlights appear as soft circles without harsh edges, making backgrounds non‑distracting and emphasizing subject presence in three‑dimensional space.
Signature Primes are the first cinema lens series built with magnesium‑machined barrels. Magnesium offers an excellent strength‑to‑weight ratio compared to aluminum, allowing ARRI to design rugged yet significantly lighter housings. This is critical for Steadicam, gimbals, drones and handheld work, and reduces operator fatigue during long shooting days.
LDS‑2 (Lens Data System, 2nd generation) is ARRI’s metadata protocol that sends live lens information to the camera: focal length, T‑stop, focus distance, depth of field, entrance pupil position, distortion and shading data. The key advantage is the use of absolute encoders, meaning the lens “knows” its position immediately at power‑on, without homing procedures. This saves time on set and is essential for accurate VFX, virtual production and post‑production workflows.
Any camera with a native LPL mount and large format sensor: ARRI ALEXA LF, ALEXA Mini LF, ARRI ALEXA 35 (with LPL adapter), Sony Venice (with LPL conversion), RED Monstro / Raptor (with LPL conversion), and other cameras that support LPL through approved mount kits. The 46.31mm image circle comfortably covers Full Frame sensors.
The difference is mostly aesthetic. Zeiss Supreme Prime lean towards a slightly higher micro‑contrast, a crisp, modern look with neutral‑cold color, great for tech commercials and stylized projects. ARRI Signature Prime favor a softer micro‑contrast, warmer color palette and creamier bokeh, ideal for drama, portraits and story‑driven content. Both are technically excellent; the choice depends on the visual identity you want. Our lens rental specialists can advise you based on references and test footage.
For “1917”, Roger Deakins needed lenses that were lightweight (for Steadicam/Trinity rigs), optically impeccable (edge‑to‑edge sharpness with minimal distortion) and with a natural perspective. He primarily used the 35mm, 40mm and 47mm on ALEXA Mini LF. The 40mm T1.8 acted as his main lens, delivering a field of view that closely matches human perception in large format, enhancing immersion. Deakins has described Signature Primes as some of the “cleanest” lenses he has used, with almost no breathing and virtually no vignetting.
A standard ARRI Signature Prime rental package usually includes a core set of 5–8 focal lengths (for example: 21mm, 29mm, 35mm, 47mm, 75mm, 95mm, plus optional 12mm or 125mm). The full 16‑lens set is usually reserved for high‑budget productions. Each lens comes with magnetic rear filter holder, front and rear caps, and 0.8 mod focus and iris gears. At Camaleon Rental, we can combine them with camera bodies, stabilizers, lighting and crew services, adapting the package to your schedule and shooting locations.
ARRI Signature Prime lenses are a benchmark for large format cinematography: technically advanced, ergonomically optimized and aesthetically unique. They offer T1.8 speed across most focal lengths, ultra‑low breathing, LDS‑2 metadata and a warm, organic rendering that has already shaped the look of award‑winning films and series.
Through Camaleon Rental you can rent ARRI Signature Prime lenses together with ARRI, Sony and RED large format cameras, as well as a full range of film & TV equipment, crew and production services across Spain, Portugal and Morocco.
hello@camaleonrental.com · +34 913 40 78 97
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