The head quarter of Camaleon Cinema Services LTD is located in Madrid. Equipped facilities with prep rooms, 300mts studio, editing, post and color grading rooms, production offices, meeting rooms, private parking lot and collimation room.
We collaborate with a widely experienced production crew, which knows perfectly how to handle shooting permits and more paperwork in the Madrid area, making the whole production process fast and smooth.
We have the newest pieces of equipment: camera, lighting, grip, DIT and post production both for cinema and tv style productions. Regardless the kind of your project, at Camaleon we can advise you to choose the kit that suits best your shooting.
Camera equipment:Arri Alexa SXT Plus, Alexa XT Plus, Alexa Mini, Amira Premium, Epic Weapon Helium 8k, Epic Weapon, Epic Dragon or Red Scarlet X, Sony F55, F5, FS7 ó FS5, Phantom 2k and 4k, Canon EOS C500, C300 Mark I and C300 Mark II
Spherical prime lenses: ARRI-ZEISS | ZEISS | LEICA | COOKE
Arri-Zeiss Master Prime T1.3, Ultra Prime T1.9 and Arri Macros. Zeiss Super Speed MKII T1.3 , Super Speed MKIII T1.3, Standard Speed T2.1, Super Speed MKI, Super Speed T1.3 S16, Compact Prime CP2 T2.1, Compact Prime Super Speed T1.3. Cooke S2/S3 T2.3, S4 Mini T2.8, S4 T2, S4i T2, S5i T1.4, Leica Summilux C T1.4 and Summicron C T2
Spherical variable primes: ARRI ALURA | ANGENIEUX | COOKE | FUJINON
Arri Alura 15.5-45mm T2.8, 30-80mm T2.8, 18-80mm T2.6 and 45-250mm T2.6. A ngenieux Optimo 24-290mm T2.8, Optimo Style 16-40mm T2.8, 30-76mm T2.6, Optimo DP 25-250mm T3.5 and 25-250mm HR T3.7. Fujinon 14-35mm T2.9, 19-90mm T2.9, 85-300mm T2.9-4 or 25-300mm T3.5. Cooke Varotal 25-250mm T4
Anamorphic prime lenses: ARRI | COOKE | HAWK | KOWA | ULTRASCOPE
Arri Master Anamorphic T1.9, Cooke Anamorphic T2.3, Hawk C-Series T2.2, Hawk V-Lite T2.2, Kowa Prominar Anamorphic T2.4 and UltraScope T2.2
Anamorphic variable primes | ANGENIEUX
Angenieux 30-72mm T4 A2S and Angenieux 56-152mm T4 A2S
Monitors and wireless video systems: TERADEK | PARALINX | TRANSVIDEO | TVLOGIC | SONY
Teradek bolt 600, 1000, 2000 and 3000, Paralinx Tomahawk, Transvideo Raimbow HD7, Tvlogic W056, 17", 18”,24" and Sony 17 OLED.
Fluorescent lighting: KINO FLO
Blanket Lite, Barfly 200 - 400, 1 2 and 4 tubes screens in both 2 and 4 feet size
HMI Lighting: ARRI M SERIE, COMPACT & DAYLIGHT
ARRI Max HMI 18kw/12kw, Compact 6kw, M90, M40, M18, par 4-2.5w, Par 575w
Led Lighting: KINO FLO, ARRI, BBS LIGHTING
Kino Flo Celeb 200 and 400, Select 20 and 30, Arri Skypanel S60, L10, L7, L5.
Tungsten lighting: ARRI FRENEL
10kw, 5kw, 2kw, 1kw and 650w
Grip Gear: TELESCOPIC CRANES, SLIDER, TRAVELLING, CAR MOUNT, DOLLIES
Scorpio Crane 23’’ and 30’+7, slider Ronford Baker, J.L. Fisher dolly, SUper Panther III dolly, Chapman peewee dolly, travelling
Camera Stabilizers: steadicam, freefly movi, ronin, steadicam pro, dji Ronin, Movi 10 and Movi 15
Dit Station and Post Rooms: editing and color grading /SGO Mistica/ DaVinici Resolve/ Final Cut Pro X
We also offer studio rental services with different size and features studios. Full packs available including camera, light and crew for your production.
300mts STUDIO : with 150 Kw power supply, 7 meter high ceiling and cyclorama (12x14x12mts). Maximum distance available between camera and subject 20 mts; truck entrance for easier logistic.
200 mts STUDIO: Located in downtown Madrid, features several different spaces. Natural light available, cyclorama and make up zone. Ideal for video and photography shooting.
We have a wide choice of production vehicles prepared for shooting, trucks, medium and big vans, scouting and production cars with or without driver.
HIGHLY EXPERIENCED CREW
At Camaleon we can provide a great portfolio of high profile technicians, with wide experience in feature films and commercial shooting.
Production: Executive producers, line producers, location managers, PAs, runners
Camera: Director of Photography, camera operators, steadicam operators, Movi operators, DIT, focus pullers, 2nd assistant cameraman, playback technicians
Lighting: gaffer, best boys, sparks
grip: key grip, best boy grip, remote head operators
The Madrid area is the most important part of Spain shooting-wise. One of the strong points of the industry in Madrid is the presence of the facilities of most national TV channels. Plus, most of the production companies have their head quarter in Madrid. That’s way, according to a study by the Madrid Film Commission, 70% of the audio-visual production, both film and tv, is handled by Madrid-based companies.
There’s hence a big deal of opportunities for foreign filmmakers, also because of the wide range of different locations available and last but not least its average of 300 sunny days per year. Finally, its geographic location right in the center of the Iberic peninsula is a big advantage logistically.
Nowadays, the city is part of the European cinema cities Network, Capital Regions for Cinema (CRC) being one of the founder members together with: Ille de France Film Commission, Roma-Lazio Film Commission and Medienboard Berlin- Brandenburg GmbH. This network wants to boost the film and tv productions in the european countries and cities.
The main institutions for film production in the Madrid Area are: