Cooke Anamorphic /i Rental

Name: Cooke Anamorphic /i Rental
Brand: COOKE
SKU: 337
Price: 1500.00 EUR
Availability: InStock

€1,500.00

Cooke Anamorphic Rental · 2x · PL · Super35

The Cooke Anamorphic /i lens set has an anamorphic factor of 2x. It stands out for its oval bokeh and the quality of internal lens elements that minimize aberrations and chromatic distortions. Versions with the /i (LDS) system allow the lens to transmit metadata to the camera (aperture, focus distance, depth of field, serial number, etc.).

Available focal lengths	25, 32, 40, 50, 65 (Macro), 75, 100 & 135 mm	Mount	PL
Aperture	T2.3	Anamorphic factor	2x
Focus rotation	≈ 300º	Front diameter	110 mm \| 136 mm
Sensor coverage	Super 35 (diagonal ≈ 33.54 mm)	Weight	Per lens: ≈ 2.93 kg · Set/case: ≈ 8.8 kg

Front element size varies on extreme focal lengths (e.g. 25mm/135mm).

Hurry up! Only 1 item(s) left in Stock!

COOKE ANAMORPHIC i· 2x · PL · Super35 · T2.3 (/i LDS optional)

COOKE ANAMORPHIC /I LENSES FOR RENT

The Cooke Anamorphic /i lens set was released in 2008 and maintains the brand's characteristic image style in both contrast and colorimetry. It is compatible with Cooke S5/i T1.4, Cooke S4/i T2 and Cooke S4 T2 series, among other series and zooms from the same house.

It stands out for its performance at wide apertures, low geometric distortion, controlled flare behavior and oval bokeh. Cooke incorporates the LDS system following the /i protocol so you can transmit lens metadata to the camera. This way, data such as aperture, focus distance, depth of field and serial number are recorded.

All lenses in the basic set have a real aperture of T2.3 and cover the Super 35mm format. Extra lenses cover the same sensor format but the aperture changes for the 65mm Macro (T2.6), 180mm (T2.8) and 300mm (T3.5).

This set has a 2x anamorphic factor, therefore it is recommended to use cameras that support a 4:3 sensor mode such as the Arri Alexa SXT, Arri Alexa Mini or Red Weapon. The focal range of this series covers from 25mm to 300mm.

Contents

Cooke Anamorphic: general characteristics
Key technical specifications
Visual focal range (25–300mm)
Why anamorphic lenses share common traits
Typical set and focal table
Differences between Cooke anamorphics and others
Why choose Cooke Anamorphic?
Rental in the UK & Locations (Madrid, Barcelona, etc.)
Frequently Asked Questions (FAQ)
Summary and contact

Cooke Anamorphic: cinematic character with /i LDS

The Cooke Anamorphics combine Cooke's warm and pleasant aesthetic with the hallmarks of anamorphic design: scope aspect ratio, oval bokeh and characteristic flares. When equipped with /i LDS, they deliver technical data that make VFX, post-production and modern workflows easier.

Color consistency: Cooke colorimetry that facilitates matching across focal lengths and with other Cooke series, reducing grading time.
Recognizable anamorphic look: oval bokeh and controlled flares that add depth and cinematic character to the frame.
High optical quality: balanced sharpness and low geometric distortion, suitable for VFX, HDR and high-resolution deliveries.
Simplified workflows with /i LDS: /i versions transmit metadata (focus, aperture, serial) that assist conforming, VFX and logging on complex shoots.
Versatility on set: wide focal range (approx. 25–300mm) and PL mount, compatible with matte boxes, filters and standard anamorphic accessories.

Want a quote and availability for the Cooke Anamorphic set?

Tell us dates, location and camera (4:3 mode). We can prepare a pack with anamorphic matte box, follow focus, filters and PL adapters.

Request a quote · Cooke Anamorphic Rental | +34 913 40 78 97

Key technical specifications: Cooke Anamorphic

Technical summary (indicative) for the Cooke Anamorphic set (Super35, 2x).
Parameter	Cooke Anamorphic	Notes
Anamorphic factor	2x	Classic squeeze to obtain scope ratio 2.39:1 on 4:3 sensors.
Focal range	25mm – 300mm (depending on set)	Coverage from wide angle to long tele on Super35 / 4:3.
T-Stop	T2.3 (basic series)	Exceptions: 65mm Macro T2.6, 180mm T2.8, 300mm T3.5.
Mount	PL (Positive Lock)	Industry standard; adapters available.
Coverage	Optimized for Super 35	Designed for 4:3 sensors in anamorphic mode.
Bokeh	Oval, soft and cinematic	Characteristic of 2x anamorphic design.
Flares	Controlled and reproducible	Useful as a creative resource and recognizable in the anamorphic look.
/i LDS (metadata)	Optional on /i versions	Transmits aperture, focus and serial for VFX and logging.

Figures are indicative; for a per-focal technical sheet and set availability in our rental please consult the technical team.

Cooke Anamorphic focal range: 25mm – 300mm (2x)

25mm
Wide angle

50mm
Standard

300mm
Long tele

An anamorphic set designed for productions seeking the scope look with consistent aesthetics across the focal range.

Why anamorphic lenses share common traits

Anamorphic lenses share a series of structural and optical characteristics derived from their design: the anamorphic element compresses the image along one axis (usually horizontal) and then it is expanded in post or on the sensor, producing the distinctive scope look. These common traits facilitate matching between different anamorphic brands and series:

Oval bokeh: compression produces elongated defocus shapes that are a hallmark of the anamorphic look.
Characteristic flares: anamorphic elements tend to stretch flares into horizontal lines, creating reproducible visual resources across anamorphic lenses.
Controlled asymmetric distortion: distortion usually concentrates on one axis and is designed to be predictable, which helps VFX and compositing.
Reduced focus breathing: many anamorphic designs prioritize minimizing zoom breathing for smooth camera moves and focus pulls.
Need for 4:3 sensors / squeeze workflow: the anamorphic workflow (record squeezed → desqueeze in post) imposes common requirements on camera settings, matte boxes and masking.

In summary, although each manufacturer brings its own character (sharpness, color, flare aggressiveness), the physics of anamorphic design imparts shared traits that make anamorphics “look alike” in aesthetic and technical aspects.

Cooke Anamorphic set (typical focal lengths)

Indicative table with focal lengths and T-stops for the basic set and common additional lenses.

Indicative focal lengths and T-stops for Cooke Anamorphic 2x.
Focal	T-Stop	Typical use
25mm	T2.3	Wide shots and expansive locations.
35mm / 40mm	T2.3	Dialogue and open framing with anamorphic character.
50mm	T2.3	Medium shots and standard close-ups.
65mm (Macro)	T2.6	Details and close-ups with macro capability.
100mm / 135mm	T2.3 – T2.8	Portraits and moderate background compression.
180mm / 300mm	T2.8 – T3.5	Long teles, plane compression and distant detail.

Comparison: Cooke Anamorphic vs other 2x anamorphics

Below is an indicative table summarizing character and use differences between Cooke Anamorphics and other common 2x anamorphic families in rental (Arri Master Anamorphic, Hawk V‑Lite / Hawk 2x and vintage/alternative anamorphics). These traits help choose the right optics depending on aesthetic, workflow and VFX needs.

Indicative comparison between 2x anamorphic families.
Characteristic	Cooke Anamorphic	Arri Master Anamorphic	Hawk V‑Lite / Hawk 2x	Vintage / alternative anamorphics
Aesthetic / Look	Cooke Look: pleasant skin tones, warmth and cinematic character.	Very clean, clinical and neutral; designed for maximum precision.	Modern, with marked character and pronounced flares.	Highly variable: from organic/vintage to strong flares and notable aberrations.
Contrast and sharpness	Mid‑high: balance between sharpness and skin softness.	Very high and uniform across the frame.	High, with a modern character; good performance at high resolution.	Usually lower than Master; provides character rather than pure resolution.
Flares	Controlled and warm-toned; creatively useful without being aggressive.	Controlled and reproducible; less “vintage” character.	More visible and stylized; a frequent aesthetic resource in commercials and music videos.	Varies: some offer intense and colorful flares that define the look.
Distortion and geometric correction	Well controlled; designed to match other Cooke and spherical sets.	Very low; ideal for VFX and architecture.	Good correction, though with its own character in the periphery.	Often more pronounced and variable; may require correction in post.
Bokeh	Oval, soft and cinematic, with Cooke character.	Oval, very clean and homogeneous.	Oval but with more personality and pronounced background compression.	Can be very “organic” or irregular depending on the lens; attractive for vintage looks.
Focus breathing	Normally reduced in modern Cooke anamorphic designs.	Practically non-existent; optimized design for focus moves.	Reduced, suitable for pans and dynamic focus pulls.	Variable; some vintage lenses show more breathing.
Metadata /i (LDS)	Available on /i versions: facilitates VFX, logging and conform.	Generally compatible with ARRI workflows and /i where applicable.	Some versions offer metadata; depends on manufacturer/series.	Rare in vintage lenses; normally do not include metadata transmission.
Ideal use	Fiction, premium commercials and projects seeking the “Cooke Look” in scope.	Feature films, heavy VFX, HDR and high‑end projects.	Commercials, music videos and projects where flare/visual state is protagonista.	Productions seeking vintage aesthetic, character or lower budget options.
Price / rental availability	Generally high due to demand and prestige; availability variable.	Top‑tier — high rates; limited availability and technical management required.	Mid‑high range; increasingly common in rental houses.	Usually more affordable, but may require calibration and pre-tests.

Note: this comparison is indicative. Each specific lens and set may vary depending on generation, condition and calibration of the rental lenses available. For shoot decisions (matching, camera tests, VFX) we recommend requesting camera tests or consulting our technical team.

Why choose Cooke Anamorphic?

Cooke Look applied to anamorphic: pleasant skin tones and consistent colorimetry with cinematic character.
Optical quality: balanced sharpness and contrast, ready for HDR deliveries and VFX.
/i LDS available: allows recording lens metadata to facilitate workflows and synchronization with VFX systems.
On-set compatibility: PL mount, matte boxes and standard anamorphic accessories.
Classic anamorphic look: bokeh and flares useful as a creative and recognizable resource in film and commercials.

If you need to compare with other 2x anamorphics (Arri Master, Hawk, alternative Cooke anamorphics), we can advise you to choose the combination that best fits your camera, script and budget.

Cooke Anamorphic rental in Madrid, Barcelona, Seville, Málaga, Valencia and Bilbao

We manage the rental of Cooke Anamorphic lenses with logistics and support for shoots across the UK and Spain. If you need a high-end anamorphic pack together with cameras, filters and grip, we can combine these optics with our camera rental and other cine lenses to configure a complete kit tailored to your production.

Coverage

Cities with Cooke Anamorphic rental service and related links.
City / Region	Service	Link
Madrid	Cooke Anamorphic rental for feature films, series and commercials.	Camera rental Madrid
Barcelona	Cooke Anamorphic rental with logistics for Catalonia.	Camera rental Barcelona
Seville	Cooke Anamorphic rental for shoots in Andalusia.	Camera rental Seville
Málaga	Support on the Costa del Sol for anamorphic productions.	Camera rental Málaga
Valencia	Shipping and technical support for shoots in the Valencian Community.	Camera rental Valencia
Bilbao	Cooke Anamorphic rental with support for northern Spain.	Camera rental Bilbao

In addition to the anamorphic set, you can complement it with specific accessories (anamorphic matte boxes, PL adapters, filters and follow focus) available in our equipment catalogue.

Frequently Asked Questions: Cooke Anamorphics

Do I need a camera in 4:3 mode to use them?

Yes. To take full advantage of the 2x factor and obtain the final scope ratio (2.39:1) we recommend using cameras that allow 4:3 mode or anamorphic recording (for example ARRI Alexa in 4:3).

What is the difference between Cooke Anamorphic /i and non-/i?

The /i version incorporates LDS to transmit lens metadata to the camera (aperture, focus, serial). Non-/i versions share the optical look but do not send metadata.

How does T-Stop affect anamorphic performance?

A lower T-Stop (brighter) allows shooting in low light and controlling depth of field; however, long anamorphic focal lengths often have slightly higher T-stops due to optical limitations (e.g. 180mm, 300mm).

Are they compatible with normal matte boxes?

Yes, but on anamorphic shoots you typically use matte boxes and filters prepared to avoid vignetting and to host anamorphic adapters when required.

How do I request a quote?

Write to us at hello@camaleonrental.com indicating dates, location, camera and desired focal lengths, or call +34 913 40 78 97.

Summary: Cooke Anamorphic rental

The Cooke Anamorphics offer the iconic Cooke Look applied to the anamorphic world: color, skin tones and contrast with the scope aesthetic provided by oval bokeh and characteristic flares. With /i LDS they facilitate modern workflows, and their optical quality makes them suitable for feature films, series and premium commercials.

We offer shipping and technical support for shoots in Madrid, Barcelona, Seville, Málaga, Valencia and across Spain. We can combine the lenses with cameras, anamorphic matte boxes, filters and accessories needed for a full set.

Catalogue of cine lenses, anamorphic lenses and Cooke optics. For availability and packs: hello@camaleonrental.com · +34 913 40 78 97

COOKE

Reference 337

Specific References

     Focal Length: 25mm | 300mm
     Mount: PL
     Aperture: T2.3-T2.6-T2.8-T3.5 | T22
     Anorphic factor: 2x
     Focus rotation: 300º
     Front Diameter: 110mm | 136mm
     Image Coverage: Super 35 (33.54mm Diagonal)
     Weight: 2.93Kg | 8.8Kg
     Low Geometric Distortion
     Flare control
     Soft and warm image