We are equipped with the latest technology but we still like to say that we make movies like in the old days. Enjoying the assembly process, analyzing until the last sequence and always providing opinion, advice and creativity to maximize the vision of the director. We are a team with a big heart to tell even the smallest stories. How can we help? From the very moment in which we shout "cut" we put to work ordering the rolled material and taking it to the assembly room. Giving the first cuts so that the director can see and evaluate if it is necessary to retake a scene or make changes. Giving it the first layers of color so the director of photography can analyze the footage and perform tests to have a visual reference of the final result. Working on the sound so that, even during assembly, from the first to the last cut of the film making possible to see its potencial. Whether it's Final Cut Pro X, Adobe Premiere or Avid Composer, we are looking for the software that most suits the needs of the film or with which the editors feel more comfortable, distributing the work between our color rooms with Davinci Resolve and SGO Mistika and digital composition and VFX with Nuke and Autodesk Smoke, since not all movies have the same needs, choosing one workflow or another as software or another can make the difference and enhance or weigh the postproduction process.
- Color Grading | SGO Mistika