SONY PXW-FS7
€100.00
VAT excluded
SONY FS7 RENTAL
Sony PXW-FS7 rental - hire camera: The new Sony PXW-FS7 rental - hire camera has a 14 Stop dynamic range, a Super 35mm CMOS sensor, and a native ISO 2000. It records 60 FPS in 4K (slow motion up to 180fps). This camera is able to record ProRes 422 with XQD cards. It has an ergonomic design and includes internal ND filters. The rental/hire of the Sony PXW-FS7 camera is available in Camaleon Rental.
- Sensor: Super 35mm
- Resolution: 4K
- Hi-speed: up to 180 FPS
- Sensitivity: ISO 2000
- Latitude: 14 Stops / 10 Stops
- Mount: E / EF / PL
- Weight: 2 KG ( Only camera Body )
- Weight: 4.5 KG ( With viewfinder, battery BP-U30, SELP28135G y XQD Card
- Recording Formats: Raw 12 Bits (External) Apple ProRes 422 XAVC INTR
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SONY FS7 HIRE
SONY PXW FS7 RENTAL
The Sony PXW-FS7 Camera offers, like other digital film cameras, the possibility of recording in CUSTOM MODE (compressed color signal) or S-LOG3 and S-LOG2 (logarithmic curve). It also allows LUT monitoring through its SDI outputs, or in its LCD when "CINE EI MODE" is set. Any of these curve modes, even if you have to compress latitude for TV broadcast, adjust whites and leave them 90% lower to have a wider margin to manipulate images with high light situations (91-110%). Images filmed under these parameters appear underexposed and without contrast, but to compensate, there are many stops to manipulate low and high lights. To control light exposition, we'll use the waveform that measures filmed signal; this way, if we apply a LUT, the measured signal will show LUT's values. Each LUT has its own exposition level, but generally mid-grey appears in the 41% curve's position.
The Sony PXW-FS7 camera has an established "native" ISO for each viewing curve that affects the mid-grey position (not the sensor's latitude), therefore the stops we can adjust. It's actually a simple concept: the more ISO, the more low light information the camera distinguishes. This makes us gain latitude in dark shadows, but because latitude has 14stops max., we'll lose information below when gaining information in the higher part of the curve. To sum up: the higher the ISO, the fewer stops over mid-grey we'll have available.
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