Sony Venice 2 Rental

Sony VENICE 2 camera rental: Full Frame 8.6K and 6K sensors, 16 stops of latitude and internal X‑OCN

The Sony VENICE 2 for hire incorporates a Full Frame 8.6K 36 x 24 mm CMOS sensor (MPC‑3628), capable of recording up to 8640 x 5760 pixels, and a Full Frame 6K 36 x 24 mm CMOS sensor (MPC‑3626) reaching up to 6048 x 4032 pixels. Both offer exceptional latitude (up to 16 stops on 8.6K and over 15 stops on 6K) and allow working with oversampling to generate ultra-high quality 4K images.

The camera supports a wide range of sensor modes in Full Frame (8.6K 3:2, 8.6K 17:9, 8.2K 17:9, 8.2K 2.39:1, 7.6K/8.1K 16:9, 6K 3:2, 6K 17:9, 6K 2.39:1, 5.7K 16:9, etc.), as well as Super 35 and anamorphic 4:3 and 6:5 formats, making it a highly flexible tool for digital cinema, VFX, virtual production and platform delivery.

• Full Frame 8.6K sensor (MPC‑3628): up to 8640 x 5760, 36 x 24 mm, 16 stops of latitude.
• Full Frame 6K sensor (MPC‑3626): up to 6048 x 4032, 36 x 24 mm, over 15 stops of latitude.
• Dual Base ISO: 800 / 3200 (8.6K) and 500 / 2500 (6K) for maximum dynamic range in low and high light.
• Internal recording in 16-bit X‑OCN (XT, ST, LT) and 4K ProRes 4444 XQ, 4444, 422 HQ, QFHD ProRes on AXS S24/S48/S66 cards.
• 8-step internal optical ND filter (0.3 to 2.4 ND, 1 to 8 stops), servo-controlled.
• PL mount with Cooke /i and ZEISS eXtended Data support, and option to use E‑mount lenses by removing the PL adapter.
• S‑Log3 and S‑Gamut3 / S‑Gamut3.Cine for advanced color workflows, HDR and VFX.

Our experience with the Sony VENICE 2 on professional shoots

• Custom configurations of the VENICE 2 as main A, B or action camera, integrating it with other CineAlta range cameras and with cinema cameras from other manufacturers, maintaining a unified color workflow thanks to S‑Log3, S‑Gamut3.Cine and custom LUTs.
• Packages with spherical and anamorphic PL lenses, as well as E‑mount cinema lenses, compatible with Full Frame and Super 35 modes to leverage the full potential of the 8.6K and 6K sensors.
• Advanced workflows in 16-bit X‑OCN and 4K Apple ProRes for HDR post-production, VFX and digital cinema, with support for LUTs, CDL and metadata management directly from camera.
• Advice on sensor modes, Full Frame and anamorphic licenses, S‑Log3 curve, exposure with EL Zone and color matching with other project cameras.

The Camaleon Cinema Services team accompanies the Sony VENICE 2 camera rental with camera tests, pre-configuration in warehouse and technical support during shooting on feature films, series, high-budget commercials, premium documentary and virtual production with LED volumes.

Sony VENICE 2 rental in Madrid, Malaga, Seville, Barcelona and Bilbao

We manage Sony VENICE 2 rental in Madrid, Malaga, Seville, Barcelona and Bilbao with our own logistics, technical assistance and direct delivery to set. We cover cinema and fiction series shoots, advertising, documentary and branded content, with packages of cinema cameras, film & TV equipment and complementary grip and lighting services.

The Sony VENICE 2 rental Madrid is oriented to cinema, series, advertising and television productions shooting in the capital and surroundings. The Sony VENICE 2 rental Malaga service is designed for shoots on the Costa del Sol, international productions and projects with high outdoor load. With Sony VENICE 2 rental Seville we provide coverage for productions in western Andalusia (Seville, Huelva, Cadiz and surroundings). The Sony VENICE 2 rental Barcelona is oriented to international advertising, platform fiction, fashion films and music videos. The Sony VENICE 2 rental Bilbao service covers shoots in the Basque Country, Cantabria, Navarre and northern Spain.

Main features of the Sony VENICE 2

The Sony VENICE 2 camera for hire is the evolution of the CineAlta family. Its Full Frame 8.6K and 6K CMOS sensors offer extended dynamic range, highly accurate color reproduction and low noise level even at high sensitivities, designed for high-level digital cinema, HDR and VFX.

• Sensor (MPC‑3628): Full Frame 8.6K CMOS, 36 x 24 mm, up to 8640 x 5760.
• Sensor (MPC‑3626): Full Frame 6K CMOS, 36 x 24 mm, up to 6048 x 4032.
• Latitude: up to 16 stops (8.6K) and over 15 stops (6K), from hard light to almost no light.
• Dual Base ISO: 800 / 3200 (8.6K) and 500 / 2500 (6K), maintaining dynamic range in low and high light.
• Color space: supports and exceeds DCI‑P3, working with S‑Gamut3 and S‑Gamut3.Cine and S‑Log3 curve.
• Internal recording: 16-bit X‑OCN (XT, ST, LT) and 4K ProRes 4444 XQ / 4444 / 422 HQ / QFHD ProRes on AXS cards.
• Filters: 8-position optical ND (0.3 to 2.4 ND, 1–8 stops) with servo, remote control and perfect for drones, cranes and underwater housings.
• Mounts: PL (with Cooke /i and ZEISS eXtended Data) and lever-lock type E‑mount for lightweight Sony lenses.
• Connectivity: 12G SDI, HDMI, Ethernet, REMOTE, TC input/output, GENLOCK and 12 V / 24 V power outputs.
• Recording: AXS S24 / S48 / S66 cards with different recording speeds depending on format and FPS.
• Chassis: magnesium alloy, ventilation isolated from electronics and removable silent fan.
• Interface: control displays on both sides (operator and assistant), intuitive menus and backlit buttons.

Recording modes, formats and high speeds on Sony VENICE 2

The VENICE 2 is designed for professional post-production, theatrical exhibition, streaming platforms and virtual production. It allows working in 16-bit X‑OCN for maximum margin in grading and VFX, and in Apple ProRes 4K for more agile workflows while maintaining excellent image quality.

These modes make the Sony VENICE 2 a highly versatile camera for fiction, advertising, fashion films, music videos, premium documentary and VFX projects.

Color, dynamic range and exposure tools on the VENICE 2

S‑Log3, S‑Gamut3.Cine and 16-bit X‑OCN

To leverage the potential of its sensors, Sony has equipped the VENICE 2 with a color workflow based on S‑Log3 and S‑Gamut3 / S‑Gamut3.Cine, which facilitates integration with ACES and HDR workflows. The 16-bit X‑OCN codec preserves the camera's entire dynamic range and offers manageable file sizes, ideal for advanced post-production.

• S‑Log3: logarithmic curve that facilitates leveraging the 16 stops of latitude.
• S‑Gamut3 and S‑Gamut3.Cine: ultra-wide color spaces, compatible with ACES and superior to BT.2020.
• LUTs and ART files: support for 3D LUTs and .ART files for creative looks on set and post-production.
• Advanced LUT support on SDI, HDMI and viewfinder to see the near-final look during shooting.

Exposure and monitoring tools

The VENICE 2 integrates tools such as the EL Zone System, zebra, waveform, level indicators and Zoom to Fit, plus the option of specific configurations for In‑Camera VFX, synchronization with LED volumes and control via Ethernet/WiFi.

• EL Zone: exposure monitoring in stops, based on 18% gray.
• Zoom to Fit: allows recording in Full Frame 3:2 and simultaneously viewing 17:9, 16:9 or 2.39:1 on the monitor.
• Moiré alerts for virtual production with Unreal Engine.
• RM/RCP control with broadcast panels for integration in live environments.

Supports, accessories and modules for Sony VENICE 2

Sony has designed the VENICE 2 as a modular system that adapts to all types of configurations. At Camaleon Rental we integrate these elements into rental packages to simplify work on set.

• Shoulder plates and tripod bases for quick transition between shoulder, tripod, dolly or steadicam.
• Top handles and viewfinder supports for shoulder, gimbal or car rig operation.
• Power modules with 12 V and 24 V outputs for monitors, transmitters and accessories.
• CBK‑3620XS and CBK‑3621XS sensor extension systems to separate the image block up to 12 m.
• Digital integration with Sony software and tools, custom LUTs and network control.

Thus, the VENICE 2 for hire adapts to both compact and lightweight configurations and large production setups with multiple accessories, complex rigs, advanced camera movements and LED volumes.

13 Reasons to shoot with Sony VENICE 2

1. Two interchangeable Full Frame sensors (8.6K and 6K) in one system.
2. Up to 16 stops of latitude on the 8.6K sensor and over 15 stops on the 6K sensor.
3. Dual Base ISO (800/3200 and 500/2500) for maximum performance in daylight and low light.
4. Internal 16-bit X‑OCN recording without the need for external recorders.
5. Native support for Full Frame, Super 35 and anamorphic 4:3 and 6:5 modes.
6. 8-step internal optical ND filter servo-controlled, ideal for rigs and drones.
7. PL mount with Cooke /i and ZEISS eXtended Data and compatibility with E‑mount lenses.
8. Robust magnesium alloy chassis and sealed ventilation system against dust and splashes.
9. 12G SDI, HDMI, Ethernet interfaces and RM/RCP remote control for broadcast and cinema environments.
10. Color workflow based on S‑Log3 and S‑Gamut3.Cine, ready for HDR and ACES.
11. Compact and intuitive design with displays on both sides and backlit buttons.
12. Integration with cinema lenses and high-level film & TV equipment.
13. Compatibility with virtual production and LED volumes thanks to its fast readout and in‑camera VFX tools.

Advantages of the VENICE 2 in shooting and operation

Fast and easy to operate. Despite its power, the Sony VENICE 2 maintains a very clear menu and button layout, with control screens for operator and assistant. The compact design facilitates shoulder, gimbal, drone, car rig operation and shooting in confined spaces.

Designed for flexibility: adapts to interiors and exteriors and is compatible with a wide range of PL and E‑mount cinema lenses, monitors, recorders, wireless video assist systems and film & TV equipment solutions.

Advanced monitoring tools: high-quality viewfinder, configurable overlays, LUTs on SDI/HDMI, EL Zone, zebra, waveform and bubble level indicators for precise control of framing and exposure.

Connectivity and control: Ethernet and WiFi to import LUTs, CDLs and ART files directly, remote control via browser and compatibility with Sony RM/RCP panels.

Flexible power: 12 V / 24 V inputs, 12 V and 24 V outputs for accessories and compatibility with professional shooting batteries.

What does the Sony VENICE 2 camera rental include?

Sony VENICE 2 rental packages are configured according to each project's needs. A standard kit may include:

• 1 Sony VENICE 2 camera body with 8.6K or 6K sensor (interchangeable sensor blocks).
• 1 installed PL mount (possibility of using E‑mount by removing the adapter).
• Compatible electronic viewfinder and viewfinder support.
• Base plate, rods, top handle and control accessories.
• AXS S24/S48/S66 memory cards and AXS reader.
• Power cables and 12 V / 24 V outputs for accessories.
• Batteries and chargers according to shooting configuration.

Upon request, cinema lenses (spherical or anamorphic PL, as well as E‑mount lenses), stabilizers and gimbals, wireless video assist, camera accessories and lighting and film & TV equipment, as well as shooting vehicles and specific grip are added.

Sony VENICE 2 rental price

The Sony VENICE 2 rental price depends on the camera configuration, cinema lens package and other equipment (stabilizers, sound, lighting, grip), as well as shooting duration and production type.

To know the Sony VENICE 2 camera rental price adjusted to your project, contact hello@camaleonrental.com or call +34 913 40 78 97.